PATTERN FOR MURAL ?

PATTERN'S FOR WATERSTONE'S MURAL ?

Before some work in photoshop

After some work in photoshop

Before

After

Before

After

Leaves for Trees!

Today I started experimenting with pattern for our mural at Waterstone's, we are going to have little touches of pattern here and there to give a lively feel, ie on the tops of mountains etc.  I don't think any of these will necessarily be suitable, but I will have to make Lot's to find the right ones!


I have now added some before and after pictures above, where I just got rid of some unnecessary spaces in some cases it made quite a big difference. I apologose for how these pictures are laid out on the page, they just would not stay where I put them! Any clues as to how to make them would be appreciated.

Penguin Design Awards. One Flew Over the Cukoo's Nest.

A page from my notebook, showing research for a book cover for the book One Flew Over the Cukoo's Nest by Ken Kesey.

Kim's Poster for The Venue 1

Kim's Poster in progress ' DODO ON A TIGHTROPE ' anything is possible at The Venue

"DODGED, BURNED AND SPONGED" this is photoshop speak for I don't really know what  i'm doing!

I actually quite like this image, but I will take a lesson from this , as I can't tidy it up now without a huge amount of work, as certain information is not saved and I did not take enough note of what I was doing as I went along, to get back to here without the mistakes, but maybe it works this way. as the shoes and tightrope are so naive, that if there weren't alot of coloured patches and missing bits of the clown, they might stand out.

My personal live 'external' brief

Kim's Poster in progress

As you can see I am starting work on my poster, just a few teething problems here with my new medium photo shop, but I will persevere. I will post my new brief above.  I am designing a promotional poster for an events venue, called 'The Venue' perhaps it will say something like "Anything is possible at the Venue!". TAKE NOTE! ANYTHING THAT IS MY WORK,FROM NOW ON I AM GOING TO SAY KIM'S SUCH AND SUCH IN THE TITLE, TO AVOID CONFUSING WITH MY INSPIRATIONAL ENTRIES.

Roman Cieslewicz, Poland 1961

I absolutely love this poster, it ticks all my boxes, but I am not sure why.   I like the way it is just so seemingly casual, paper cut roughly with a scalpal giving a jagged effect placed on top of some soft black, the composition is pleasing.

Bors Ferenc 1963 Hungary

This poster is so simple but so effective!

Ohchi, Hiroshi (Japan) 1954 silkscreen

I am looking at posters, to get inspiration for my personal live 'external' brief where I am creating a poster for an events venue. This is a lovely silk screen print, printed out on really nice paper which makes a big difference to the effect.

The Company of Wolves final image

'The moon rising over the vegetable garden'

This image has been incredibly difficult to get right, I have tried every concievable combination and more. I am exhausted now, so it will have to stay like this, perhaps more of a field of cabbages than a vegetable garden but never mind for now.

Puss in Boots final image

"his fine, high, shining leather boots," thrown at him by a cavalry officer at full moon.

The Bloody Chamber final image

"... only the communicating door kept me from my husband and it stood open."

This image seems like a massive leap from all the work below, and it is.  Having spent weeks working in many different ways.  I have taken advice, and inspiration from the work of Mathew Richardson, and at last I feel excited by the way forward.

New sketches for the Bloody Chamber stories with a view to collage.

The Bloody Chamber

Still experimenting with simple line drawings!

Company of wolves

"... his hat laden with birds..."

Puss in Boots experimentation

Company of Wolves

Grandmother propped up in bed with several pillows and her patchwork quilt.

Puss in Boots Experimentation

"Up to my balcony young puss"
said the officer, leaning out of the window in his night shirt.  "At your service sir."  replied  puss.

Company of Wolves

A wax crayon wolf, the background is the rubbing of a floorboard.  I like the feel of sunset. The inspiration for this wolf came from some old European fairytales.

Company of Wolves

"... a carving knife in a basket packed with cheeses, a bottle of harsh liquor, oatcakes and jam"  to be taken to grandmother!

Company of Wolves

Wax crayon and Ink.  I like the simplicity of this wolf, but because I did him quickley with ink pen (no rubbing out possible) there are bits I don't like.  I might tidy up this image in photoshop.

Puss in Boots

Experimenting with collage.  This image is a bit too busy!

Puss in Boots

This is the full sized version of picture below, scanned on a larger scanner.

The Bloody Chamber Experimentation !

Starting to experiment with collage.
Not quite sure where I am going with this approach though!

The Bloody Chamber Experimentation !

I have tried to do a continuous line drawing with a strong design element, incorporating themes from the different stories.

A search for a 'style' Puss in Boots

At the start of the final year of my illustration degree, I am panicked by the fact that I have not yet settled into a way of working that really feels like me. So I am using this first brief to experiment in lots of different mediums.

Work in Progress

"The grand hereditory matrimonial bed .... with gargoyles carved into its surfaces, "white lillies every where." I chose to illustrate these few lines as lillies have a very beautiful silhouette and juxtaposed against the bed there is a strong male,femaleness which suits this story. I started by drawing the flowers and the bed and cutting them out in paper, on which I had printed different textures. I then scanned the image into the computer and worked on it in photoshop. I was quite pleased with the final image, but I find it a bit too victorian in feel, while I would prefer it to to have a more contemporary nature.

The Bloody Chamber

"He loved to surprise me in my abstracted solitude at the piano and softly creep up behind me with a bouquet of hothouse flowers or his box of marrons glaces."

I was influenced by the work of Odilon Redon, the french symbolist painter and pastellist (1848-1916) whose flambuoyant style seemed appropriate for illustrating the stories of Angela Carter.

I used black and white for the characters to try and convey a sense of pure and unpure, good and bad.

Quick sketches for the Bloody Chamber